Χρήστος Θεοφίλης – Έλληνας εικαστικός καλλιτέχνης (γεν. 1956) που ξεκίνησε με λάδι σε καμβά και στη συνέχεια εξελίχθηκε σε πρωτοπόρο του digital και new‑media art. Έχει εικονογραφήσει εξώφυλλα βιβλίων, συμμετάσχει σε διεθνείς εκθέσεις όπως Art Thessaloniki 2019 και Arte Padova 2019, και ίδρυσε το Ινστιτούτο Σύγχρονης Τέχνης Art‑Act στην Αθήνα

 Christos Theofilis (Greek, born 1956)Visual Artist· 2000 ΙΔΡΥΕΙ ΤΟΝ ΕΝΑΛΛΑΚΤΙΚΟ ΧΩΡΟ ΤΕΧΝΩΝ ΚΑΙ ΓΡΑΜΜΑΤΩΝ ART-ACT ΚΑΙ ΤΟ 2007 ΤΟ ΙΝΣΤΙΤΟΥΤΟ ΤΕΧΝΗΣ ART-ACT. ΔΙΕΤΕΛΕΣΕ ΤΑΚΤΙΚΟΣ ΣΥΝΕΡΓΑΤΗΣ Εφημερίδα, Η ΑΥΓΗ. Στήλη "ΑΥΤΟΠΡΟΣΔΙΟΡΙΣΜΟΙ" & ΣΤΑ ΕΙΚΑΣΤΙΚΑ ΤΗΣ ΤΕΤΑΡΤΗΣ. Εφημερίδα, Ο ΧΡΟΝΟΣ. ΕΙΚΑΣΤΙΚΑ ΤΗΣ ΤΕΤΑΡΤΗΣ-ΣΕ ΕΝΕΣΤΩΤΑ ΧΡΟΝΟ. Εφημερίδα, Ο Κόσμος του Επενδυτή-Ένθετο Culture. ΔΙΑΛΟΓΟΙ. Εφημερίδα, ΗΧΩ ΤΩΝ ΔΗΜΟΠΡΑΣΙΩΝ. Στήλη ΗΧΩ & ΤΕΧΝΗ. Περιοδικό, INFORMER. ΚΕΙΜΕΝΑ, ΚΡΙΤΙΚΕΣ ΚΑΙ ΔΟΚΙΜΙΑ ΤΟΥ ΓΙΑ ΤΗΝ ΤΕΧΝΗ ΕΧΟΥΝ ΔΗΜΟΣΙΕΥΘΕΙ ΕΦΗΜΕΡΙΔΑ Ο ΔΡΟΜΟΣ ΤΗΣ ΑΡΙΣΤΕΡΑΣ. ΠΕΡΙΟΔΙΚΟ ΑΛΕΞΙΣΦΑΙΡΟ. ΣΤΟΝ ΕΠΑΡΧΙΑΚΟ ΚΑΙ ΑΘΗΝΑΪΚΟ ΤΥΠΟ, ΣΕ ΗΛΕΚΤΡΟΝΙΚΕΣ ΣΕΛΙΔΕΣ ΚΑΙ ΣΕ ΛΟΓΟΤΕΧΝΙΚΑ ΠΕΡΙΟΔΙΚΑ. ΤΗΝ ΔΕΚΑΕΤΙΑ ΤΟΥ 90 ΕΚΔΟΤΗΣ ΤΗΣ ΕΦΗΜΕΡΙΔΟΣ ΠΑΡΕΝΘΕΣΗ ΣΤΗΝ ΤΕΧΝΗ ΚΑΙ ΤΟΝ ΛΟΓΟ 2000 ΙΔΡΥΕΙ ΤΟΝ ΕΝΑΛΛΑΚΤΙΚΟ ΧΩΡΟ ΤΕΧΝΩΝ ΚΑΙ ΓΡΑΜΜΑΤΩΝ ART-ACT ΚΑΙ ΤΟ 2007 ΤΟ ΙΝΣΤΙΤΟΥΤΟ ΤΕΧΝΗΣ ART-ACT. ΤΗΝ ΔΕΚΑΕΤΙΑ ΤΟΥ 80 ΙΔΡΥΕΙ ME TON ΔΗΜΗΤΡΗ ΠΕΡΔΙΚΙΔΗ ΤΗΝ ΑΤΥΠΗ ΕΙΚΑΣΤΙΚΗ ΟΜΑΔΑ ΟΙΚΟ-ΤΟΠΙΑ.

 Christos Theofilis – the veteran Greek painter born in 1956 in Piraeus – has been a fixture on the Athens art scene since the early 1980s. After a prolific period that included the 1982 European‑Community award and a solo show The Moon at To Trito Mati (1989), he withdrew from the commercial market for two decades, returning only sporadically for group exhibitions (e.g., the 2003 “White Black” show). His work is noted for a “rebellious independence” and a unique handling of colour despite a form of colour‑blindness

 Christos Theofilis – the veteran Greek painter born in 1956 in Piraeus – has been a fixture on the Athens art scene since the early 1980s. After a prolific period that included the 1982 European‑Community award and a solo show The Moon at To Trito Mati (1989), he withdrew from the commercial market for two decades, returning only sporadically for group exhibitions (e.g., the 2003 “White Black” show). His work is noted for a “rebellious independence” and a unique handling of colour despite a form of colour‑blindness

 Christos Theofilis – the veteran Greek painter born in 1956 in Piraeus – has been a fixture on the Athens art scene since the early 1980s. After a prolific period that included the 1982 European‑Community award and a solo show The Moon at To Trito Mati (1989), he withdrew from the commercial market for two decades, returning only sporadically for group exhibitions (e.g., the 2003 “White Black” show). His work is noted for a “rebellious independence” and a unique handling of colour despite a form of colour‑blindness

 Christos Theofilis – the veteran Greek painter born in 1956 in Piraeus – has been a fixture on the Athens art scene since the early 1980s. After a prolific period that included the 1982 European‑Community award and a solo show The Moon at To Trito Mati (1989), he withdrew from the commercial market for two decades, returning only sporadically for group exhibitions (e.g., the 2003 “White Black” show). His work is noted for a “rebellious independence” and a unique handling of colour despite a form of colour‑blindne

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 Christos Theofilis – the veteran Greek painter born in 1956 in Piraeus – has been a fixture on the Athens art scene since the early 1980s. After a prolific period that included the 1982 European‑Community award and a solo show The Moon at To Trito Mati (1989), he withdrew from the commercial market for two decades, returning only sporadically for group exhibitions (e.g., the 2003 “White Black” show). His work is noted for a “rebellious independence” and a unique handling of colour despite a form of colour‑blindness

 Christos Theofilis – the veteran Greek painter born in 1956 in Piraeus – has been a fixture on the Athens art scene since the early 1980s. After a prolific period that included the 1982 European‑Community award and a solo show The Moon at To Trito Mati (1989), he withdrew from the commercial market for two decades, returning only sporadically for group exhibitions (e.g., the 2003 “White Black” show). His work is noted for a “rebellious independence” and a unique handling of colour despite a form of colour‑blindness

 Christos Theofilis – the veteran Greek painter born in 1956 in Piraeus – has been a fixture on the Athens art scene since the early 1980s. After a prolific period that included the 1982 European‑Community award and a solo show The Moon at To Trito Mati (1989), he withdrew from the commercial market for two decades, returning only sporadically for group exhibitions (e.g., the 2003 “White Black” show). His work is noted for a “rebellious independence” and a unique handling of colour despite a form of colour‑blindness

 Christos Theofilis – the veteran Greek painter born in 1956 in Piraeus – has been a fixture on the Athens art scene since the early 1980s. After a prolific period that included the 1982 European‑Community award and a solo show The Moon at To Trito Mati (1989), he withdrew from the commercial market for two decades, returning only sporadically for group exhibitions (e.g., the 2003 “White Black” show). His work is noted for a “rebellious independence” and a unique handling of colour despite a form of colour‑blindness

 Christos Theofilis – the veteran Greek painter born in 1956 in Piraeus – has been a fixture on the Athens art scene since the early 1980s. After a prolific period that included the 1982 European‑Community award and a solo show The Moon at To Trito Mati (1989), he withdrew from the commercial market for two decades, returning only sporadically for group exhibitions (e.g., the 2003 “White Black” show). His work is noted for a “rebellious independence” and a unique handling of colour despite a form of colour‑blindness

 Christos Theofilis – the veteran Greek painter born in 1956 in Piraeus – has been a fixture on the Athens art scene since the early 1980s. After a prolific period that included the 1982 European‑Community award and a solo show The Moon at To Trito Mati (1989), he withdrew from the commercial market for two decades, returning only sporadically for group exhibitions (e.g., the 2003 “White Black” show). His work is noted for a “rebellious independence” and a unique handling of colour despite a form of colour‑blindness